1971 • Italy • Directed by Emilio Miraglia
At the height of the Italian giallo boom of the early 1970s, scores of filmmakers turned their hand to crafting their own unique takes on these lurid murder-mystery thrillers.
In The Night Evelyn Came Out of the Grave, director Emilio P. Miraglia (The Red Queen Kills Seven Times) melds the giallo’s trademark twisty whodunit storytelling with gothic chills, concocting a gripping horror/thriller hybrid. Troubled aristocrat Alan Cunningham (Anthony Steffen, Django the B*stard), haunted by the death of his first wife Evelyn, tries to move on by marrying the seductive Gladys (Marina Malfatti, All the Colours of the Dark). Marital bliss is short-lived, however, as various relatives meet untimely and gruesome deaths, prompting speculation that a vengeful Evelyn has risen from the grave...
Populated by an array of Euro cult stars, including Giacomo Rossi Stuart (Caltiki the Immortal Monster) and the unforgettable Erika Blank (Kill, Baby... Kill!), and featuring a lush lounge score by giallo maestro Bruno Nicolai, The Night Evelyn Came Out of the Grave offers up a beguiling, unique and downright insane twist on a familiar formula.
The life of a beautiful, young and pious woman is thrown into chaos when her parents takes in a dashingly handsome lodger. Having embarked on a torrid affair, the lodger goes off to Rome to seek a divorce from his estranged wife.Unable to live apart from her beloved, our hero leaves home only to ...
Throughout the late 1960s and into the 70s, the Italian giallo movement transported viewers to the far corners of the globe, from swinging San Francisco to the Soviet-occupied Prague. Only one, however, brought the genre's unique brand of bloody mayhem as far as Australia: director Flavio Mogheri...
Beyond The Power Of An Exorcist. The mid-1970s saw the rise in popularity of films centring on the subject of parapsychology, led by Carrie – Brian De Palma’s classic tale of telekinetic terror. Precognition, or future sight, would be the topic under exploration in Robert Allen Schnitzer’s contri...
