Molly really knows how to cut men down to size. Representing something of an anomaly in the career of director Matt Cimber (whose other credits include such blaxploitation fare as The Candy Tangerine Man) The Witch Who Came from the Sea is an unnerving journey into madness and murder starring Millie Perkins (The Diary of Anne Frank). Molly (Perkins) experiences violent fantasies in which she ties up muscular men up before bloodily dispatching them with a razor. But when a news report announces the shocking double-murder of two footballers which strongly echoes one of Molly’s most recent depraved flights of fancy, the fantasy starts to bleed into reality – literally. Written by Perkins’ late husband Robert Thom (Death Race 2000), The Witch Who Came from the Sea features early cinematography from DOP Dean Cundey, who would go on to expand his genre credentials with his work on Escape from New York and The Thing, before achieving mainstream exposure with the likes of Jurassic Park and Apollo 13.
Up Next in 70's
The Forbidden Photos of a Lady Above ...
Before the influence of Dario Argento's 'The Bird with the Crystal Plumage' permeated every corner of the giallo genre, another strain of these distinctive Italian thrillers enjoyed considerable success. These "melodrama gialli", heavily inspired by Clouzot's 'Les diaboliques', relied less on gra...
Heroic Purgatory pushes the dazzling cinematic language of Eros + Massacre even further, presenting a bleak but dreamlike investigation into the political discourses taking place in early seventies Japan.
Still traumatised by the loss of her husband, well-meaning social worker Ann Gentry (Anjanette Comer: The Loved One) throws herself into her latest assignment: the case of "Baby", a 21-year-old man with the mind of an infant - who crawls, cries and has yet to make it out of nappies. But Baby's fa...