IT IS A MATTER OF GOOD BREEDING. REALLY. After producing Stuart Gordon’s hit Re-Animator, Brian Yuzna (Bride of Re-Animator, Return of the Living Dead III) turned his hand to directing with 1989’s Society, and gave birth to one of the ickiest, most original body horror shockers of all time. Teenager Bill Whitney (Billy Warlock) has always felt like the odd one out in his wealthy, upper-class Beverly Hills family. For some reason, he just doesn’t seem to fit in. But his sense of alienation takes a sinister turn when he hears an audio recording of his sister’s coming-out party, which seems to implicate his family and others in a bizarre, ritualistic orgy. And then there are the strange things he’s been seeing – glimpses of people with their bodies contorted impossibly out of shape… Is Bill going mad or is there something seriously amiss in his neighbourhood? Packing stomach-churning grue and thought-provoking social commentary in equal measure, Society is a biting horror satire which culminates in one of the most gag-inducing “climaxes”’ in all of horror history.
1987 • United States • Directed by Deborah Brock
Courtney Bates, the younger sister of Valerie, and her friends go to their condo for a weekend getaway, but Courtney can't get rid of the haunting feeling that a supernatural rockabilly driller killer is coming to murder them all.
As a massive alien craft heads to Earth to do evil, three good and powerful superwomen befriend a young boy who has a special connection to Gamera, and old foes return to do battle one more time.
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of dis...
