2001 · Japan · Directed by Takashi Miike
One of the most notorious J-horror films ever made, Takashi Miike’s Audition exploded onto the festival circuit at the turn of the century to a chorus of awards and praise. The film would catapult Miike to the international scene and pave the way for such other genre delights as Ichii the Killer and The Happiness of the Katakuris. Recent widower Shigharu Aoyama is advised by his son to find a new wife, agreeing Shigeharu seeks the advice of a colleague having been out of the dating scene for many years. Taking advantage of their position as a film company they stage an audition. Interviewing a series of women, Shigeharu becomes enchanted by Asami, a quiet, 24-year-old woman, who is immediately responsive to his charms. But soon things take a very dark and twisted turn as we find that Asami isn’t what she seems to be… Pulling the audience into a story that will lead to one of the most harrowing climaxes in cinema history, Miike twists and turns us through delirious editing and shocking visuals for one of the most depraved nightmares of all time!
Up Next in 90s
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Ringu
In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introducing a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film's succ...
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Dead or Alive
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving s...
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Deadly Manor
1990 • Spain • Directed by José Ramón Larraz
An old, dark house... A maniac on the loose... An orgy of bloodlust!
All the hallmarks of late master of Spanish macabre José Ramón Larraz (Edge of the Axe, Vampyres) are present and correct in 1990's Deadly Manor - the final horror movie from one o...
