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My Father Was Right' tells of a man who, after being left by his wife for another man, raises his son to be wary of women.
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In Kageroza (1981), a playwright is drawn like a moth to a flame to a mysterious beauty who might be a ghost.
Yumeji (1991) imagines the real-life painter-poet Takehisa Yumeji’s encounter with a beautiful widow with a dark past.
In the multiple Japanese Academy Award-winning Zigeunerweisen (1980), two intellectuals and former colleagues from military academy involve their wives in a series of dangerous sexual games.