My Father Was Right' tells of a man who, after being left by his wife for another man, raises his son to be wary of women.
A loosely conceived leftist-western that moves through a series of practical and analytical passages ("an organization of shots," Godard called it) into a finale based around the process of manufacturing homemade weapons.
Not necessarily a film about the struggles in Italy - largely shot, in fact, in Godard and Anne Wiazemsky's home at the time - this is a disruptive reflection on a young Italian woman's shift from political "theory" to political "practice" and, at the same time, a self-questioning of its own prac...
Master director Alain Resnais ('Last Year in Marienbad') blurs the line between cinematic technique and theatrical artifice in his acclaimed 'Mélo', adapted from Henri Bernstein's classic play about a doomed love triangle in 1920s Paris. Pierre (Pierre Arditi, 'Love Unto Death') and Marcel (André...
