Miike's 2002 retelling transplants the story to Tokyo at the turn of the millennium. Less a direct remake of Fukasaku's film than a radical reimagining of the same overarching premise, Miike's film captures both the hedonism and nihilism of the modern Japanese crime scene in deliriously stylish fashion, resulting in a fascinating companion piece to the original that nonetheless stands as its own entity.
Tapping into the same brand of terror as the Ring and Grudge movies, visionary director Takashi Miike ('Audition', 'Blade of the Immortal') presents a modern, high-tech twist on that mainstay of Japanese folklore, the yurei or vengeful spirit, in the form of its own iconic antihero - the terrifyi...
