Like Rabid Dogs
Eat the Rich • Crime, Thriller
1976 • Italy • Directed by Mario Imperoli
Three wealthy youths – ringleader Tony (Cesare Barro, Violence for Kicks) and his friends Rico (Luis La Torre, Evil Eye) and Silvia (Annarita Grapputo, Magnum Cop) – get their kicks from committing a series of random thefts and murders. Commissario Muzi (Jean-Pierre Sabagh a.k.a Piero Santi, Vow of Chastity) is on the case but can’t make anything stick on the over-privileged thugs. Realizing that justice is a rare commodity when it comes to the wealthy and powerful, Muzi and his lover and fellow cop, Germana (Paola Senatore, The Killer Reserved Nine Seats), plot to entrap Tony and his friends – but fail to anticipate just how ruthless these “rabid dogs” can be… Ranking among the most brutal of all the poliziotteschi, Like Rabid Dogs depicts a bitterly divided society in which being born into wealth seems to equate to a license to commit the most outrageous acts of violence without repercussions. Directed by Mario Imperoli (Canne mozze), this ultra-violent, ultra-cynical thriller combines grindhouse exploitation with an almost nihilistic worldview for unforgettable – and at times shocking – results.
Up Next in Eat the Rich
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Fill 'Er Up With Super
1976 • France • Directed by Alain Cavalier
Klouk (Bernard Crombey) is a car salesman who has to miss a family holiday to deliver a luxury Chevrolet station wagon to his boss' wealthy client. He decides to take his friend Philippe (Xavier Saint-Macary) along with him for the ride across the lengt...
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The Killer Reserved Nine Seats
1974 • Italy • Directed by Giuseppe Bennati
In Giuseppe Bennati’s The Killer Reserved Nine Seats, an assortment of wealthy degenerates – including Italian cult mainstays Andrea Scotti (Django, Prepare a Coffin) and Howard Ross (The Pyjama Girl Case) – answer the summons of an eccentric nobleman ...
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Cop au vin
1985 • France • Directed by Claude Chabrol
The hidden meanness of provincial life is at the heart of Cop Au Vin (Poulet au vinaigre), as deaths and disappearances intersect around the attempt by a corrupt syndicate of property developers to force a disabled woman and her son from their home.
