We Are the Flesh
Effed Up Families • Horror, Independent
A visionary and bizarre slice of Mexican arthouse cinema, We Are the Flesh is an extraordinary and unsettling film experience, a sexually charged and nightmarish journey into an otherworldly dimension of carnal desire and excess, as well as a powerful allegory on the corrupting power of human desire. A young brother and sister, roaming an apocalyptic city, take refuge in the dilapidated lair of a strange hermit. He puts them to work building a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in this maddening womb-like world under his malign influence, they find themselves sinking into the realms of dark and forbidden behaviour. Mixing the graphic, powerful imagery of Gaspar Noe’s Love and Enter The Void with the surreal, hallucinatory impact of Alejandro Jodorowsky, We Are the Flesh is a bizarre, psychedelic head trip, mixing intense, outrageously explicit imagery with a profound allegory on the nature of existence, to make this an unforgettable, boundary-pushing experience unlike anything you’ve ever seen.
Up Next in Effed Up Families
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The Hills Have Eyes
1977 • United States • Directed by Wes Craven
Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street - but for many genre fans, the director's seminal effort The Hills Have Eyes remains his masterpiece. Taking a detour whilst on r...
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The Hills Have Eyes Part 2
1984 • United States • Directed by Wes Craven
The hills are once again alive with the sound of screaming in Wes Craven's hugely entertaining follow-up to his own groundbreaking 1977 'The Hills Have Eyes'. A motocross team on their way to trial a new super-fuel head out across the desert lead by ...
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Dark Water
After terrifying audiences worldwide with the blockbuster J-horror classic Ring and its sequel, director Hideo Nakata returned to the genre for Dark Water, another highly atmospheric, and critically acclaimed, tale of the supernatural which took the common theme of the “dead wet girl” to new heig...
