In 1970, young first-time director Dario Argento (Deep Red, Suspiria) made his indelible mark on Italian cinema with The Bird with the Crystal Plumage – a film which redefined the ‘giallo’ genre of murder-mystery thrillers and catapulted him to international stardom.
Sam Dalmas (Tony Musante, We Own the Night), an American writer living in Rome, inadvertently witnesses a brutal attack on a woman (Eva Renzi, Funeral in Berlin) in a modern art gallery. Powerless to help, he grows increasingly obsessed with the incident. Convinced that something he saw that night holds the key to identifying the maniac terrorising Rome, he launches his own investigation parallel to that of the police, heedless of the danger to both himself and his girlfriend Giulia (Suzy Kendall, Spasmo)…
A staggeringly assured debut, The Bird with the Crystal Plumage establishes the key traits that would define Argento’s filmography, including lavish visuals and a flare for wildly inventive, brutal scenes of violence. With sumptuous cinematography by Vittorio Storaro (Apocalypse Now) and a seductive score by legendary composer Ennio Morricone (Once Upon a Time in the West), this landmark film has never looked or sounded better in this new restored edition from Arrow!
1972 • Italy • Directed by Silvio Amadio
In Silvio Amadio’s Smile Before Death, familicide with a sprinkling of Oedipal love is the order of the day when teenager Nancy (Jenny Tamburi, The Suspicious Death of a Minor) returns home to discover the apparent suicide of her mother, and quickly comes...
1972 • Italy • Directed by Francesco Mazzei
Horny priests and self-flagellating nuns abound in Francesco Mazzei’s The Weapon, the Hour, the Motive, as police commissioner Franco Boito (Renzo Montagnani, Massacre in Rome) investigates the brutal murder of a young clergyman, only to enter into an ...
1974 • Italy • Directed by Giuseppe Bennati
In Giuseppe Bennati’s The Killer Reserved Nine Seats, an assortment of wealthy degenerates – including Italian cult mainstays Andrea Scotti (Django, Prepare a Coffin) and Howard Ross (The Pyjama Girl Case) – answer the summons of an eccentric nobleman ...
