Not necessarily a film about the struggles in Italy - largely shot, in fact, in Godard and Anne Wiazemsky's home at the time - this is a disruptive reflection on a young Italian woman's shift from political "theory" to political "practice" and, at the same time, a self-questioning of its own practice and theories.
A loosely conceived leftist-western that moves through a series of practical and analytical passages ("an organization of shots," Godard called it) into a finale based around the process of manufacturing homemade weapons.
A searing and satirical comic-reportage on the trial of the Chicago Eight, featuring Juliet Berto and Godard and Gorin themselves.
