Once again Shinya Tsukamoto steps out from behind the camera and stars as Tsuda, the archetypal Japanese salary man, a cog in the machine seemingly cut off from his own being by hours and hours of work. He's married to polite and compliant Hizuru (Kahori Fujii), the dictionary definition of an ideal Japanese wife. Their life is happy, at least on the surface, until Tsuda's brother; Kojima (played by Tsukamoto's own real life brother, Kohji) shows up on the scene. As a pro boxer Kohji's business is violence and even before the proverbial sand is kicked in Tsuda's face we can already sense the wonder and jealousy with which he views his brother's transformed body; but once Kojima seduces Hizuru, revealing that he doesn't just excel at physical violence, but mental and emotional brutality as well, Tsuda starts training at the gym so he can wreak his revenge with his fists.
Carnage! Terror! Banana skins! The mighty prehistoric ape Schlocktropus has emerged from hiding to embark on a full-scale rampage across a quiet Southern Californian suburb. The police are baffled. The army is powerless. The body count is rising. But when Schlocktropus encounters a kindly blind w...
Master director Alain Resnais ('Last Year in Marienbad') blurs the line between cinematic technique and theatrical artifice in his acclaimed 'Mélo', adapted from Henri Bernstein's classic play about a doomed love triangle in 1920s Paris. Pierre (Pierre Arditi, 'Love Unto Death') and Marcel (André...
Throughout the late 1960s and into the 70s, the Italian giallo movement transported viewers to the far corners of the globe, from swinging San Francisco to the Soviet-occupied Prague. Only one, however, brought the genre's unique brand of bloody mayhem as far as Australia: director Flavio Mogheri...
