1962 • Japan • Directed by Tomu Uchida
In stark contrast to the monochrome naturalism of his earlier masterwork Bloody Spear at Mount Fuji, visionary master director Tomu Uchida took inspiration from Bunraku and kabuki theater for arguably his strangest and most lavishly cinematic film, The Mad Fox.
Amidst a mythically-depicted medieval Japan, a court astrologer foretells a great disturbance that threatens to split the realm in two. His bitter and treacherous wife conspires to have the astrologer killed, as well as their adopted daughter, Sakaki.
The astrologer's master apprentice, Yasuna, who was in love with Sakaki, is driven mad with grief and escapes to the countryside. There, he encounters Sakaki's long-lost twin, Kuzunoha, and the pair meet a pack of ancient fox spirits in the woods, whose presence may be the key to restoring Yasuna's sanity, and in turn bringing peace to the fracturing nation.
Finally available outside Japan for the first time, Uchida's stunning, wildly stylised widescreen tableaux - using expressionist sets and colour schemes - are highlighted.
Up Next in Monochrome Madness
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Bloody Spear at Mount Fuji
2018 • Japan • Directed by Tomu Uchida
Praised by Japanese film critics and much admired by his contemporaries, Tomu Uchida nonetheless remains a little-known in the west. His 1955 masterpiece Bloody Spear at Mount Fuji is an excellent entry point for the newcomer. Set during the Edo period, Blo...
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Lady Morgan's Vengeance
1965 • Italy • Directed by Massimo Pupillo
Gaslighting abounds in Massimo Pupillo’s Lady Morgan’s Vengeance – a delicate tale of romance and mystery, with a sprinkling of sadism and the supernatural – as newlywed Sir Harold Morgan (Paul Muller, Nightmare Castle) attempts to destroy his new bride...
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The Snake Girl and the Silver-Haired ...
1968 • Japan • Directed by Noriaki Yuasa
What do you get when Noriaki Yuasa, director of Daiei Studios’ much-beloved Gamera series, makes a monochrome film adaptation of the works of horror manga pioneer Kazuo Umezu (The Drifting Classroom)? The answer is 1968’s The Snake Girl and the Silver-Hai...
