Jesus Shows You the Way to the Highway
Murders & Acquisitions
•
1h 21m
What do you get when you cross Afro-futurism, Cold War paranoia, the dystopian world of Philip K. Dick and 60s exploitation cinema, along with a hefty dose of Lynchian surrealism? The answer: 'Jesus Shows You the Way to the Highway', the second feature by Miguel Llanso ('Crumbs') and one of the most striking and original films you'll see all year. The year is 2035, and Special Agent Gagano (Daniel Tadesse, 'Crumbs') dreams of leaving the CIA to open a business with his wife Malin (Gerda-Annette Allikas). Before he can hand in his resignation, however, a strange cyber virus attacks Psychobook, the CIA's operating system, forcing Gagano to enter cyberspace via virtual reality to combat the threat. Before long, however, the virus starts to reach out into the real world, destabilising the fragile socio-political order for its own ends, and Gagano, trapped in the VR world, must find a way out before it's too late. Featuring encounters with an Irish-accented Joseph Stalin, a kung-fu-fighting Batman, and Jesus Christ himself, to name but a few, 'Jesus Shows You the Way to the Highway' is absurd, audacious and like nothing you've ever experienced before.
Up Next in Murders & Acquisitions
-
Audition
2001 · Japan · Directed by Takashi Miike
One of the most notorious J-horror films ever made, Takashi Miike’s Audition exploded onto the festival circuit at the turn of the century to a chorus of awards and praise. The film would catapult Miike to the international scene and pave the way for such...
-
Battles Without Honour and Humanity
When Battles Without Honour and Humanity first hit Japanese screens in January 1973, partially inspired by the success of The Godfather, it blasted out a new Ground Zero for crime cinema not only in Japan, but in the rest of the world, and spawned a legendary series that would lead to additional ...
-
The Comic
Stand-up comedy can be a cut-throat business, but in Sam Coex's world, it's downright murder! From the annals of bizarre cinema comes perhaps the most bizarre one of them all - 1985's The Comic!
In a dystopian police state reality of indeterminate time and place, orange bouffant-haired comedian ...
