Lethal hostile takeovers and boardroom back (and front and side) stabbing in an ARROW season focussed on everything from middle management murder to liberties-taking bosses getting their comeuppance and salarymen pushed to the edge that will test whether you have a head for big business. And whether you can keep it on your shoulders. It’s a cutthroat world out there but remember: it’s only business.
2001 · Japan · Directed by Takashi Miike
One of the most notorious J-horror films ever made, Takashi Miike’s Audition exploded onto the festival circuit at the turn of the century to a chorus of awards and praise. The film would catapult Miike to the international scene and pave the way for such...
When Battles Without Honour and Humanity first hit Japanese screens in January 1973, partially inspired by the success of The Godfather, it blasted out a new Ground Zero for crime cinema not only in Japan, but in the rest of the world, and spawned a legendary series that would lead to additional ...
Stand-up comedy can be a cut-throat business, but in Sam Coex's world, it's downright murder! From the annals of bizarre cinema comes perhaps the most bizarre one of them all - 1985's The Comic!
In a dystopian police state reality of indeterminate time and place, orange bouffant-haired comedian ...
Once again Shinya Tsukamoto steps out from behind the camera and stars as Tsuda, the archetypal Japanese salary man, a cog in the machine seemingly cut off from his own being by hours and hours of work. He's married to polite and compliant Hizuru (Kahori Fujii), the dictionary definition of an id...
What do you get when you cross Afro-futurism, Cold War paranoia, the dystopian world of Philip K. Dick and 60s exploitation cinema, along with a hefty dose of Lynchian surrealism? The answer: 'Jesus Shows You the Way to the Highway', the second feature by Miguel Llanso ('Crumbs') and one of the m...
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of dis...
Goda (Shinya Tsukamoto) is a thirty-something documentary filmmaker. While his work may seem intriguing to some, his life is absolutely average - long hours at the office, drinks after work and an equally busy girlfriend: Kiriko, that he's been with for a decade. No surprises. No detours. No shoc...
Once again Shinya Tsukamoto steps out from behind the camera and stars as Tsuda, the archetypal Japanese salary man, a cog in the machine seemingly cut off from his own being by hours and hours of work. He's married to polite and compliant Hizuru (Kahori Fujii), the dictionary definition of an id...
Yasuzo Masumura based his story on prize winning Edogawa Ranpo's book [Hanayaka na shitai]. A Food Company's boss is killed and there comes the search for his murderer.
1958 • Japan • Directed by Yasuzô Masumura
Giants and Toys is a sharp and snappy corporate satire revolving around the ruthless machinations of a group of admen working in the confectionary industry. As a new recruit to the marketing department of World Caramel, fresh-faced graduate Nishi (Hiros...
After shooting cult favourites Flesh for Frankenstein and Blood for Dracula in Europe, Joe Dallesandro spent much of the seventies making movies on the continent. In France he worked with auteurs like Louis Malle and Walerian Borowczyk, and in Italy he starred in all manner of genre fare from pol...
