Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers.In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them.
From Takashi Miike, the prolific director of such shocking hits including Audition and Ichi the Killer comes “The Sound of Music meets Dawn of the Dead”!
The Katakuri family run a peaceful country inn at the foot of Mount Fuji. A little more peaceful than anticipated, their only visitors arrive ...
Miike's 2002 retelling transplants the story to Tokyo at the turn of the millennium. Less a direct remake of Fukasaku's film than a radical reimagining of the same overarching premise, Miike's film captures both the hedonism and nihilism of the modern Japanese crime scene in deliriously stylish f...
The first entry in Takashi Miike’s “Black Society Trilogy,” Shinjuku Triad Society burst into cinemas in Japan in 1995 - and announced the birth of a radical new artist in the world of genre filmmaking. Although he had made his debut in 1991, Miike had worked up to this point in the world of “V-c...
