Shocking and controversial, yet permeated with a dark, poetic beauty, the films of underground German auteur Jörg Buttgereit stand at the very intersection between art and exploitation.

In Nekromantik, the director's groundbreaking 1987 debut, nihilistic couple Rob and Betty seek to enliven their relationship by bringing a freshly-acquired corpse into the equation, with predictably nauseating results. 1990's Der Todesking takes a more experimental - but no less gruelling - approach, offering up seven vignettes of suicide, one for each day of the week, all prompted by a mysterious chain letter. In 1991, Buttgereit would return to the realm of corpse-loving with Nekromantik 2, which sees the young Monika torn between the two men in her life - the dorky yet doting Mark, and a rapidly-decomposing cadaver. Lastly, with 1993's Schramm, Buttgereit takes us deep into the deranged mind of a psychopath, charting the final days in the life of twisted sex killer Lothar Schramm.