En Francais - Trailer
En français • 42s
Headlined by Quentin Dipieux’s delightfully bonkers and tres French, Incredible But True, En Francais is a curated collection of the very best in French film, covering the whole gamut and history of Gallic cinema.
With a constant output of chic and stylish cinema since the Lumiere brothers birthed the format in the first place, French cinema has not only been a valuable part of the country’s culture, but admired by cineastes from all over the world for it’s sophistication and the talent and influence of the many auteurs who have elevated the artform and entertained not just their countrymen, but the world.
Stage musician Georges Lumiere was the first filmmaker to embrace and push the boundaries of film and his most famous film – as well as the first genre film – A Trip To the Moon is proudly presented here with multiple viewing options. Influential auteurs like Jean-Luc Godard, Henri-Georges Clouzot, Eric Rohmer and Claude Chabrol are also well represented, as well as filmmakers initially dismissed but whose work is now coming to be reappraised and embraced such as Jean Rollin.
The best in modern French genre and arthouse cinema is present too. From the anxiety-inducing works of brilliantly mad genius Gaspar Noe, to terrifying French horror from the New French Extremity.
Up Next in En français
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Incredible But True
2022 • France • Directed by Quentin Dupieux
Quirky, deadpan humour, an absurdist eye for French social etiquette and a keen sense of the folly of existence are among the hallmarks of the oddball comedies of director Quentin Dupieux (Rubber, Deerskin), and Incredible But True is no different.
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Them
2007 • France • Directed by David Moreau, Xavier Palud
A young couple leads a happy, quiet life in the countryside. But little do they know they're being surrounded. When night falls, the couple will come face to face with Them. They are everywhere, even in their home. Who are they? What do they...
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Mélo
1986 • France • Directed by Alain Resnais
Master director Alain Resnais ('Last Year in Marienbad') blurs the line between cinematic technique and theatrical artifice in his acclaimed 'Mélo', adapted from Henri Bernstein's classic play about a doomed love triangle in 1920s Paris. Pierre (Pierre ...
