Throughout the 1980s, Shohei Imamura (The Pornographers, Profound Desires of the Gods), a leading figure of the Japanese New Wave era of the 1960s, cemented his international reputation as one of the most important directors of his generation with a series of films that all competed at Cannes to great critical acclaim.
The harrowing Black Rain (1989) details the precarious existence of a household of atomic bomb survivors as, five years after being caught in the blast of Hiroshima, they struggle to find a husband for their 25-year-old niece.
This work epitomises the director's almost documentary style of filmmaking, exposing the vulgar yet vibrant and instinctive underbelly of Japanese society through a sympathetic focus on peasants, prostitutes, criminal lowlife and other marginalised figures to explore the schism between the country's timeless premodern traditions and the modern face it projects to the world.
Up Next in Gareth Evans Selects
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Bullet Ballet
Goda (Shinya Tsukamoto) is a thirty-something documentary filmmaker. While his work may seem intriguing to some, his life is absolutely average - long hours at the office, drinks after work and an equally busy girlfriend: Kiriko, that he's been with for a decade. No surprises. No detours. No shoc...
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Dark Water
2002 • Japan • Directed by Hideo Nakata
After terrifying audiences worldwide with the blockbuster J-horror classic Ring and its sequel, director Hideo Nakata returned to the genre for Dark Water, another highly atmospheric, and critically acclaimed, tale of the supernatural which took the common...
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Dead or Alive
1999 • Japan • Directed by Takashi Miike
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongs...
