Ringu
Gareth Evans Selects
•
1h 35m
1998 • Japan • Directed by Hideo Nakata
In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introduced a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film’s success spawned a slew of remakes, reimaginations and imitators, but none could quite boast the power of Nakata’s original masterpiece, which melded traditional Japanese folklore with contemporary anxieties about the spread of technology.
A group of teenage friends are found dead, their bodies grotesquely contorted, their faces twisted in terror. Reiko (Nanako Matsushima, When Marnie Was There), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy urban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week – unless they can persuade someone else to watch it, and, in so doing, pass on the curse…
Arrow is proud to present Ringu, the film that started it all, restored from the original negative in glorious 4K and supplemented by a wealth of bonus materials.
Up Next in Gareth Evans Selects
-
Tetsuo - The Iron Man
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of dis...
-
The Ballad of Narayama
Throughout the 1980s, Shohei Imamura (The Pornographers, Profound Desires of the Gods), a leading figure of the Japanese New Wave era of the 1960s, cemented his international reputation as one of the most important directors of his generation with a series of films that all competed at Cannes to ...
-
Tokyo Fist
Once again Shinya Tsukamoto steps out from behind the camera and stars as Tsuda, the archetypal Japanese salary man, a cog in the machine seemingly cut off from his own being by hours and hours of work. He's married to polite and compliant Hizuru (Kahori Fujii), the dictionary definition of an id...